An Augmented Lagrangian Method for Piano Transcription using Equal Loudness Thresholding and LSTM-based Decoding
July 01, 2017 ยท Declared Dead ยท ๐ IEEE Workshop on Applications of Signal Processing to Audio and Acoustics
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Authors
Sebastian Ewert, Mark B. Sandler
arXiv ID
1707.00160
Category
cs.SD: Sound
Cross-listed
cs.NE
Citations
5
Venue
IEEE Workshop on Applications of Signal Processing to Audio and Acoustics
Last Checked
3 months ago
Abstract
A central goal in automatic music transcription is to detect individual note events in music recordings. An important variant is instrument-dependent music transcription where methods can use calibration data for the instruments in use. However, despite the additional information, results rarely exceed an f-measure of 80%. As a potential explanation, the transcription problem can be shown to be badly conditioned and thus relies on appropriate regularization. A recently proposed method employs a mixture of simple, convex regularizers (to stabilize the parameter estimation process) and more complex terms (to encourage more meaningful structure). In this paper, we present two extensions to this method. First, we integrate a computational loudness model to better differentiate real from spurious note detections. Second, we employ (Bidirectional) Long Short Term Memory networks to re-weight the likelihood of detected note constellations. Despite their simplicity, our two extensions lead to a drop of about 35% in note error rate compared to the state-of-the-art.
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